Details
REMBRANDT HARMENSZ. VAN RIJN (1606- 1669)
The sleeping Herdsman
etching
circa 1644
on laid paper, without watermark
a fine, sharp impression of this uncommon little print
printing with touches of burr and a subtle plate tone
a narrow margin below, trimmed to the subject elsewhere
generally in very good condition
Sheet 78 x 57 mm.
Provenance
Daniel Daulby (1745 or 1746-1798), Liverpool and Rydal Mount (Lugt 738, with his number 50); his sale, T. Vernon, Liverpool, 12-21 August 1799, 8th day, lot 17 ('Scarce').
Unidentified, initial H or K in pencil verso (not in Lugt).
Karl & Faber, Munich, 29 November - 1 December 1962, lot 275.
Acquired at the above sale; then by descent to the present owners.
Literature
Bartsch, Hollstein 189; Hind 207; New Hollstein 217
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Lot Essay

This delightful little genre scene is a wonderful example of Rembrandt’s cheeky sense of humour. This seemingly innocent pastoral scene of a herdsman briefly resting his cattle and himself is undermined by a young amorous couple taking advantage of the older man’s sleepiness to engage in activities which he would certainly not approve of. This work belongs to the small group of erotic prints, which includes the The Flute Player (New Hollstein 211) and the even more explicit and hence extremely rare so-called French Bed and the Monk in the Cornfield (New Hollstein 230 & 231). Like these, The Sleeping Herdsman was probably not intended for wider publication but only distributed to a small circle of friends and collectors. The present sheet once belonged to the great Liverpool collector Daniel Daulby, author of a catalogue of Rembrandt's etchings in 1796.

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