Details
CHARLES MERYON (1821-1868)
A Group of five Etchings
comprising La Galerie de Notre Dame, etching with engraving, on laid paper, with a partial armorial watermark, 1853, a fine impression of Schneidermann’s fourth state (of six), printed in brownish-black ink; La Pompe Notre-Dame (small plate), etching, on wove paper, watermark WHATMAN TURKEY MILL 1853, 1854, a fine impression of the second state (of three); Partie de la cité vers le fin du XVIIe siècle, etching with drypoint, on laid paper, watermark HUDELIST, 1861, a fine impression of Schneiderman’s eighth state (of eleven); La Tour de l’Horloge, etching with engraving, on laid paper, 1852, a fine, early impression of Schneiderman’s third state (of ten), before the letters below, printed in brownish-black, with a very atmospheric greenish-brown plate tone; and Casimir Le Conte, by the same hand after Gustave Boulanger, etching, on laid Japan paper, 1856, Schneidermann’s second, final state


Plate 282 x 175 mm., Sheet 484 x 319 mm.
Plate 107 x 79 mm., Sheet 491 x 323 mm.
Plate 150 x 320 mm., Sheet 293 x 445 mm.
Plate 258 x 181 mm., Sheet 282 x 202 mm.
Plate 340 x 265 mm., Sheet 500 x 370 mm.

Provenance
With Colnaghi & Co., London (their stock number in C 4287 in pencil recto). (S. 73)
Literature
Schneiderman 23, 29, 39, 63 & 73
Special notice
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This lot has been imported from outside the EU for sale and placed under the Temporary Admission regime. Import VAT is payable (at 5%) on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice. Please see Conditions of Sale for further information.

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