The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

(red) The sheet is hinged at the upper corners to the backing board, and the horizontal edges are deckled. Pinholes are to the corners and collaged elements, both presumably a vestige of the artist's working process. A minute loss is to the upper left corner. Clear adhesive accretions are visible intermittently, predominately to the edges of the collaged elements, presumably in keeping with the artist's working method. There is no apparent inpainting visible under ultraviolet light.

(green) The sheet is hinged at the upper corners to the backing board, and the horizontal edges are deckled. Pinholes are to the corners and collaged elements, both presumably a vestige of the artist's working process. A small, soft creases is to the upper left corner. A partial tear is to the left upper edge and clear adhesive accretions are visible intermittently, predominately to the edges of the collaged elements, all presumably in keeping with the artist's working method. There is no apparent inpainting visible under ultraviolet light.

The condition of lots sold can vary widely due to factors such as age, previous damage, restoration, repair, and wear and tear. The nature of the lots sold means that they will rarely be in perfect condition. Lots are sold in the condition they are in at the time of sale.