Details
Nude winged female figure, looking to one side, the head with ruby set star accents, the articulated plique-à-jour enamel butterfly wings enhanced with diamond and sapphire details, signed M. Milligan
Size/Dimensions: 10.4 x 7.5 cm
Gross Weight: 74.1 grams
Literature
Vogue, UK, December 1972.
Brought to you by

Lot Essay


Originally designed with a corresponding gem-set chain mounted with stars, this distinctive fairy pendant with wings en tremblant was created as a unique piece by British jeweller Mick Milligan for his Royal College of Art diploma show circa 1970 and featured in UK Vogue, December 1972, photographed by Lester Bookbinder. The piece was subsequently purchased by Milligan’s friend Eric Clapton during the early 1970s and presented to Pattie Boyd circa 1974. Pattie only wore the pendant for special occasions, however she has retained the corresponding chain of stars which she continues to wear often. Pattie was last photographed wearing the pendant at the opening preview of longtime friend Ronnie Wood's exhibition of paintings at Kenwood House, London, on 13 October 2022.

Mick Milligan was a jewellery designer for Liberty and Co. and Zandra Rhodes and worked in the Art Nouveau and Art Deco styles (see also lot 93). Milligan famously designed the silver aircraft featured in photographer Bob Seidemann’s controversial album cover artwork for the eponymous 1969 album by British supergroup Blind Faith, which comprised Eric Clapton, Steve Winwood, Ginger Baker and Ric Grech. Clapton recalled the controversy in his 2007 autobiography: Bob [Seidemann] told me that he had an idea for an album cover for us. He wouldn’t say what it was, just that he was going to put it together and then show us. When he finally presented it, I remember thinking that it was rather sweet. It was a photograph of a young, barely pubescent girl, with curly red hair, photographed from the waist up, naked, and holding in her hands a silver, very modernistic aeroplane, designed by my friend the jeweller, Micko Milligan. Behind her was a landscape of a green hill, like the Berkshire Downs, and a blue sky, with white clouds scudding across it. I immediately loved it because I thought it captured the definition of the name of our band really well - the juxtaposition of innocence, in the shape of the girl, and experience, science, the future, represented by the aeroplane. I told Bob that we should not spoil the image by putting the name of the band on the front cover, so he came up with the idea of writing it on the wrapper instead. When the wrapper came off, it left a virgin photograph. The cover caused a huge outcry. People said the representation of the young girl was pornographic, and in the States record dealers threatened to boycott it. Since we were about to embark on a major tour, we had no alternative but to replace it over there with a shot of us standing in the front room at Hurtwood.

Related Articles

Sorry, we are unable to display this content. Please check your connection.

More from
The Pattie Boyd Collection
Place your bid Condition report

A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

I confirm that I have read this Important Notice regarding Condition Reports and agree to its terms. View Condition Report