詳情
IMOGEN CUNNINGHAM (1883–1976)

Side (John Bovingdon, Dancer), 1929
gelatin silver print
signed in pencil (margin); inscribed 'For Lee forever / IC' in pencil and stamped 'ARCHIVALLY REPROCESSED' (verso)
image: 3 x 3 1/4 in. (7.6 x 8.2 cm.)
‌sheet: 4 x 5 in. (10.1 x 12.7 cm.)

來源
From the photographer to Lee Witkin, New York;
The Collection of Lee D. Witkin, Sotheby's, New York, May 7, 1985, lot 491;
Private Collection;
Phillips de Pury, New York, April 1, 2014, lot 29;
acquired from the above by the present owner.
出版
Richard Lorenz, Imogen Cunningham: On the Body, Little, Brown and Company, Boston, 1998, pl. 50.
Richard Lorenz, Imogen Cunningham: Ideas Without End: A Life in Photographs, Chronical Books, San Francisco, 1993, pl. 57, p. 121.
  • 業務規定
  • 常見問題
  • 拍品賣家為： Christie's Inc
榮譽呈獻

拍品專文

'My favorite photograph [of Cunningham's] is the male nude bending at the waist. She photographed a section of the torso so that it looks almost like a shell - absolutely fantastic. (Lee Witkin, interviewed by Judy Dater, Imogen Cunningham: A Portrait, 1979).

The print on offer here was gifted by the artist to the leading photography dealer Lee Witkin. Witkin founded Witkin Gallery in New York in 1969 and thereafter mounted major exhibitions of works by Ansel Adams, Margaret Bourke-White, Edward Weston and Imogen Cunningham, whom he represented, among other masters of the medium.

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