Details
IRVING PENN (1917–2009)
Woman in Moroccan Palace (Lisa Fonssagrives-Penn), Marrakech, 1951
selenium toned gelatin silver print, mounted on board, printed 1992
signed, titled, dated [with print date] and numbered '16641' with stamped photographer's copyright credit, Condé Nast Publications reproduction limitation and edition information in ink (mount, verso)
image/sheet: 1538 x 1514 in. (39.1 x 38.7 cm.)
mount: 1878 x 1878 in. (47.9 x 47.9 cm.)
This work is from an edition of forty.
Provenance
Private Collection, New York;
acquired from the above by the present owner.
Literature
Vogue, January 1952, pp. 132–133.
Irving Penn, Moments Preserved, Simon and Schuster, New York, 1960, p. 67.
Merry A. Foresta and William F. Stapp, Irving Penn: Master Images, Smithsonian Institution Press, Washington D.C., 1990, cover and p. 42.
Irving Penn, Passage: A Work Record, Alfred A.Knopf/ Callaway, New York, 1991, p. 102.
Exhibition catalogue, Irving Penn, Musée d'art et d'histoire, Fribourg, 1994, p. 53.
Colin Westerbeck, Irving Penn: A Career in Photography, Art Institute of Chicago, 1997, pl. 24, p. 73.
Brought to you by
Rebecca JonesAssociate Vice President, Specialist, Head of Department
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

Lot Essay


Irving Penn captured this stunning portrait of his wife Lisa Fonssagrives in 1951, just one year into their marriage. In 1952, the image appeared in Vogue alongside a travel piece about Morocco with the following caption:

“The oldest and simplest system of insulation in the world—the burnoose—photographed by Vogue's photographer, Irving Penn, on a trip to Morocco. Because the burnoose is such handsome proof against both heat and cold, because it could be worn in almost any country over a bathing suit, an evening dress, even over ski clothes, it has been translated by Jean Dessès, in a water-repellent blend of Celanese acetate and wool in a remarkable colour, a piercing sky blue.”

The present lot is a testament to Lisa Fonssagrives’ eternal beauty and reputation as the original supermodel. She was forty years old at the time of this photograph and, though nearing the end of her modeling career, Penn continued to present her in some of his most important works, including Harlequin Dress, Cocoa-Colored Balenciaga Dress, and Woman with Roses on her Arm.

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