Memphis, 1971
dye transfer print, printed 1999 by Guy Stricherz
signed in ink (margin); signed by William Eggleston III, credited, titled, dated [with print date] and editioned 'P. P' in ink in Eggleston Artistic Trust copyright credit stamp, with EAT number in pencil (verso); credited, titled and dated on affixed gallery label (frame backing)
image: 2158 x 1434 in. (54.9 x 37.4 cm.)
sheet: 2334 x 1934 in. (60.3 x 50.1 cm.)
This work is a printer's proof, aside from an edition of ten, plus three artist's proofs.
Eggleston Artistic Trust, Memphis;
Private Collection;
Rose Gallery, Santa Monica;
acquired from the above by the present owner, 2011.
John Szarkowski, William Eggleston's Guide, The Museum of Modern Art, 1976, p. 39.
William Eggleston, The Hasselblad Award 1998: William Eggleston, Hasselblad Center, 1999, n.p.
Herve Chandés, William Eggleston, Fondation Cartier pour l'art contemporian/Thames and Hudson, 2002, pl. 41.
Elisabeth Sussman, William Eggleston: Democratic Camera, Photographs and Video, 1961-2008, Whitney Museum of American Art, 2008, pl. 24, p. 69.
Agnés Sire, William Eggleston: From Black and White to Color, Steidl, Göttingen, 2014, pl. 141.
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