ALAIN JACQUET (1939-2008)
Le Déjeuner sur l'herbe
signed 'Alain Jacquet' (on the reverse)
silkscreen ink on two joined canvases
overall: 68⁷⁄₈ x 76in. (174.9 x 193.1cm.)
Executed in 1964

Estate of the Artist.
Paul Coulon, London.
Acquired from the above by the present owner in 2019.

R. Maillard (ed.), Vingt-cinq ans d'art en France, 1960-1985, Paris 1986, (another example illustrated, p.118).
D. Smith, Alain Jacquet, Paris 1990, p. 31, 33-35, 38-40, 56, 57, 59, 62 and 63 (another example illustrated in colour, p. 5; another example illustrated, p. 32).
Art Press, vol. 146, April 1990, p. 3 (detail of another example illustrated on the front cover).
M. Livingstone, Pop Art, A Continuing History, New York 2000, no. 202 (another example illustrated in colour, p. 145).

Sao Paulo, IX Bienal de São Paulo, 1967, no. 3 (another example exhibited and illustrated, unpaged).
Paris, Galerie Beaubourg, Alain Jacquet, Le Déjeuner sur l'herbe 1964-1989, 25ème anniversaire, 1989, pp. 12,15-18, 20-22 and 45 (another example illustrated in colour on the front cover; installation view of another example in the artist's studio illustrated, p. 6; another example illustrated in colour, p. 23; another example illustrated in colour, p. 25; another example illustrated in colour, pp. 26 and 27).
Paris, Musée d'Art Moderne de la Ville de Paris, Passions Privées, Collections particulières d'art moderne et contemporain en France, 1995-1996 p. 452, no. 11, (another example exhibited and illustrated, p. 458).
Châteauroux, Couvent des Cordeliers, Alain Jacquet, Camouflages 1961-1964, 2002, pp. 97, 100, 101, 104, 106 and 159, nos. 81 and 85 (other examples exhibited and illustrated, pp. 98, 99 and 107).
Nice, Musée d'Art moderne et d'art contemporain, Alain Jacquet, Camouflages et Trames, 2005, p. 143 (installation view of another example in the artist's studio illustrated, p. 8; other examples exhibited and illustrated in colour, pp. 83 and 85; details of another example illustrated in colour, pp. 86 and 87).
New Haven, Yale School of Art / Edgewood Gallery, Lunch with Olympia, 2013 (another example exhibited and illustrated in colour, pp. 24 and 25).