Details
EDOUARD MANET (1832-1883)
Trente Eaux-fortes originales

the complete portfolio of thirty etchings, 1859-1882, on laid Van Gelder paper, with proprietary or Fleur-de-Lys watermarks, with the title-page with heliogravure portrait by Henri Fantin-Latour, introductory text and table of contents annotated by Théodore Duret in French, from the edition of one hundred copies, published by A. Strölin, Paris, 1905
Sheets 450 x 325 mm. (and similar)
Portfolio 565 x 380 x 50 mm.


Literature
Henri Béraldi, Les Graveurs du XIXième Siècle, Paris, 1885-92.
Marcel Guérin, L'Oeuvre gravé de Manet, Paris, 1944 (reprint New York & Amsterdam 1969).
Jean C. Harris, Edouard Manet - The Graphic Work - A catalogue raisonné (revised edition), San Francisco, 1990.
(Please see the catalogue note for catalogue numbers and states.)
Special notice
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
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Lot Essay

The portfolio includes the following prints:
Guitare et chapeau, 1862-74 (B. 1; G. 62; H. 39 IV/IV); Le guitarero (Le chanteur espagnol), 1861-62 (B. 2; G. 16; H. 12 VI/VII); Le Gamin au chien, avec le cabas (Le Gamin), 1862 (B. 7; G. 27; H. 31 II/II); Les Gitanos, 1862 (B. 4; G. 21; H. 18 II/II); Lola de Valence, 1863 (B. 3; G. 23; H. 33 VII/ VIII); La petite fille tenant un bébé, 1861-62 (B. 8; G. 25; H. 19 II/II); La toilette, 1862 (B. 9; G. 26; H. 20 II/III); Le torero mort, 1864 (B. 5; G. 33; H. 55 VII/VII); Les petits cavaliers, d'après Velazquez, 1860 (B. 6; G. 8; H. 5 V/V); Silentium, 1860 (B. 17; G. 4; H. 3 II/II); Mariano Camprubi (Le Baïlarin), 1862-63 (B. 19; G. 24; H. 34 I/I); Gamin buvant à la régalade (Le buveur d'eau), 1870-74 (B. 43; G. 22; H. 43 I/I); L'enfant au chien (Le garçon et le chien), 1862 (B. 42; G. 17; H. 11 III/III); Le fumeur, 1866/67 (B. 36; G. 49; H. 50 II/II); Le fumeur (en esquisse), 1879-82 (B. -; G. 48; H. 49 I/I); L'infante Marguerite, d'après Velazquez, 1862 (B. 11; G. 6; H. 14 I/I); Marine, 1865-66 (B. -; G. 35; H. 40 I/I); Le rève du marin (Théodore de Banville tourné à gauche), 1874 (B. 34; G. 61; H. 82 I/I); Le Philosophe, 1865 (B. 39; G. 43; H. 47 I/I); Baudelaire de profile, 1862 (B. 25; G. 31; H. 21 I/II); Edgar Poe, 1860 (B. 26; G. 55; H. 2 I/I); Olympia (deuxième planche), 1867 (B. 31; G. 40; H. 52 IV/IV); Olympia (première planche), 1865 (B. 32; G. 39; H. 53 VI/VI); Gamin faisant une bulle de savon (L'enfant aux bulles de savon), 1868/69 (B. 41; G. 54; H. 63 IV/IV); L'acteur tragique, 1865-66 (B. 20; G. 44; H. 48 II/II); Berthe Morisot, 1872 (B. 22; G. 59; H. 75II/III); Eva Gonzalèz (profile tourné à gauche), 1870 (B. 23; G. 57; H. 68 I/I); Trois croquis de chats sure une planche (Les chats), 1868-69 (B. 33; G. 52; H. 64 I/I); La queue à la boucherie, 1871 (B. 44; G. 58; H. 70 I/II) and Jeanne (Le printemps), 1882 (B. 53; G. 66; H. 88 IV/V).
(Listed in the order of the table of contents, the dates and states given according to Harris.)

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