Of this small and humble still life, Morandi printed only a few impressions himself. As usual, he then sent the copperplate to Carlo Alberto Petrucci, the director of the Calcografia Nazionale in Rome. The Calcografia printed, exhibited and marketed Morandi's etchings. The present impression, one of a small number of working proofs pulled by Petrucci, is the only one known with an instruction handwritten by the artist. It is inscribed Sospendere la Tiratura ('Stop the print run'), and accordingly, no edition was ever printed. This impression is cited in Michele Cordaro's catalogue raisonné of Morandi's printed oeuvre (1991).
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In addition to the catalogue description: - with wide margins. - a letter W or M inscribed in pencil in the lower left corner. - some soiling mostly visible in backlight. - some areas of soft skinning in the margins. - a few creases at the lower right corner. - tiny remains of glue at the upper corners on the reverse. Otherwise as described and in good condition.
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Lot 165Sale 18571
Natura morta con pane e limoneGIORGIO MORANDI (1890-1964)Estimate: GBP 3,000 - 5,000
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