Details
VARIOUS ARTISTS
Bauhaus I and II
the complete set of twenty gelatin silver prints, 1919-1933, with title, text and justifications, two with stamped signatures (as issued), the remainder signed in pencil or ink in the margin recto, or verso, each with the portfolio ink stamp verso, numbered consecutively I-10, II-10, EA III/XXX in ink verso, one of thirty artist's proof sets aside from the edition of seventy, printed from the original negatives under the supervision of the artists, published by Rudolf Kicken Gallery, Cologne, 1984-85, loose (as issued), with paper mounts, in the original grey cloth-covered portfolio
Image, Sheet 358 x 280 mm. (and smaller)
525 x 415 x 45 mm. (portfolio)
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This complete set comprises:
BAUHAUS I
Edmund Collein, Gropius construction studio, 1927-28; Hajo Rose, Self-portrait (photomontage), 1931; Lotte Stam-Beese, Albert Braun with Mirror, circa 1928; Lucia Moholy, Dr. Franz Roh, 1926; W. David Feist, Man with Pipe (Kurt Stolp), 1929; Gertrud Arndt, Wera Waldek (negative), 1930; T. Lux Feininger, Bauhaus Band, circa 1928; Irene Bayer, Macaroni, 1928; Gyula Pap, Nude, 1930, with a stamped signature; Walter Funkat, Glass Spheres, Metal Festival, 1929;
BAUHAUS II
Herbert Bayer, Glass Eyes, circa 1928; Katt Both, Atikah Cigarettes, 1930-1931; Gerd Balzer, Prellerhaus Balconies, Bauhaus (Dessau), 1933; Horacio Coppola, Egg and String, 1932; Ellen Auerbach, Sewing Silk, circa 1930; Grete Stern, Paper in Glass, 1931; Georg Muche, Furniture Workshop in the Glass, 1921; Eugen Batz, Net and Wood Fragments, 1930; Franz Ehrlich & Heinz Loew, Study for Light Advertisement (Plastic Workshop), 1927-1928, with a stamped signature; and Karl Straub, Photogram, 1924/1984.

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