The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

The canvas has a glue lining and is taut on a keyed stretcher. The paint layer is somewhat abraded and slightly dirty. The varnish is clear. Pinpoint losses along the weft and weave of the canvas appear as dark dots, as seen in the catalogue image. Some discolored restorations are visible in the flesh tones. There is some strengthening to the left side of the painted oval. Inspection under ultraviolet light is mostly hindered by an opaque varnish, but does reveal some further restorations in the sitter's black garment and the area outside the painted oval. The painting can be hung as is.