Of oval form edged with shell ornaments, molded with a reclining scantily-draped allegorical female figure of Spring, a flowering cornucopia in her right arm, surrounded by water and reeds, on a blue ground, the underside with a printed label inscribed ‘Einsatzstab R nr. 4172’
7⁷⁄₈ in. (20 cm.) long

Baron Alphonse de Rothschild (1827-1905).
Baron Édouard de Rothschild (1868-1949).
Confiscated from the above by the Einsatzstab Reichsleiter Rosenberg following the Nazi occupation of France in May 1940 (ERR no. R 4172).
Recovered by the Monuments Fine Arts and Archives Section from the Altaussee salt mines, Austria, and transferred to the Munich Central Collecting Point, 23 June 1946 (MCCP no. 340/7).
Returned to France on 9 January 1946 and restituted to the Rothschild family.
By descent to the present owners.

Alexandre Sauzay, Henri Delange, Carle Delange and C. Borneman, Monographie de l'oeuvre de Bernard Palissy suivie d'un choix de ses continuateurs ou imitateurs, Paris, 1862, pl. 45.
Collection de Mr. Le baron Alphonse de Rothschild, circa 1890, (n.d.), vol. II, pl. 55.
Henry Roujon, Emile Molinier, Frantz Marcou, Catalogue officiel illustré de l’Exposition rétrospective de l’art français des origines jusqu’à 1800, Exposition Universelle, 1900, no. 923.
Germaine de Rothschild, Serge Grandjean, Bernard Palissy et son école, Paris, 1952, pl. 36, no. XXXVIII

Exposition Rétrospective de l’Art français des origines à 1800, Exposition Universelle, Paris, 1900, no. 923

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Lot Essay

The Ashmolean Museum in Oxford holds three gondola cups, two decorated with an embracing couple and the third with a figure of Flora. They have been in the collection since 1656, making them the earliest known pieces of post-Palissy ceramic still extant.

They came to the museum in Oxford from Elias Ashmole (1617-1692), who donated his collection to the museum that bears his name in 1691. Ashmole himself had acquired the collection after the death of John Tradescant, Jr. and his wife. On the latter's death in 1662, the Tradescant collection was displayed in their family home in south London's Lambeth district, bringing together the curiosities collected in the first half of the 17^thcentury not only by John Tradescant, Jr. (1608-1662), but also by his father of the same name, John Tradescant (circa 1570-1638).

The Ashmolean Museum's handwritten catalogue of 1685 describes four pieces, numbers 584 to 587, under the Latin description, "Disci 4 Chiniti oblongi; in una parte faeminas nudas prostratas habent sua pudenda manibus tegentes", ["that is 4 oblong dishes; some have naked women lying down, covering their private parts with their hands"]. In the Tradescant collection catalogue published in 1656, these French ceramics are described as "Variety of China dishes". They may have been acquired by John Tradescant, Sr. in the early decades of the 17^thcentury, when he traveled in France for the Earl of Salisbury, and later for the Duke of Buckingham.

COMPARABLE LITERATURE
Arthur MacGregor, Tradescant's Rarities; Essays on the Foundation of the Ashmolean Museum, 1683, With a Catalogue of the Surviving Early Collections, Oxford, 1983, pp. 275-276.
Isabelle Perrin, Les techniques céramiques de Bernard Palissy, thèse sous la direction de M. Jean Guillaume, Université Paris IV Sorbonne, Lille, 1998, p. 61.
Jessica Denis-Dupuis, La céramique à Paris après Bernard Palissy (1590-1650): oeuvres, fabricants, collections, thèse, université Paris-Seine-Cergy-Pontoise, 2018, pp. 87-92.