Vintage chromogenic print on resin coated Kodak paper with “A Kodak Paper” watermarks on the verso [NASA AS17-152-23274]
8 x 10in. (20.3 x 25.4cm.)

From the collection of Mike Acs

Specified lots are being stored at Crozier Park Royal (details below) or will be removed from Christie’s, 8 King Street, London, SW1Y 6QT by 5.00pm on the day of the sale. Christie’s will inform you if the lot has been sent offsite. If the lot has been transferred to Crozier Park Royal, it will be available for collection from 12.00pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

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Lot Essay

Evans took this wonderful photograph from magazine 152/ PP through the 250mm telephoto lens from an altitude of 113km over the 51-km Crater Ritz.

Of the many views of the Earth photographed from lunar orbit, the crescent Earth visible during the Apollo 17 mission afforded what many consider “the most lyrical version of that phenomenon, a poetic coda to the first manned period of exploration” (Schick and Van Haaften, p. 120).

217:20:19 Evans: Houston, America. Looks like we’re with you again.
217:20:23 Mission Control: Okay, America.
217:20:23 Evans: ... We’ve been taking its picture (the Earth) just as we came up.

“I look at that Earthrise. How can I sit here and tell you about it without first showing you a picture? You’ve got a whole historical drama, if you will, in photographs of something that most people still consider an incredible venture.”
Eugene Cernan (Schick and Van Haaften, p. 125)