Of natural form, from the Oligocene (circa 30 million years ago), with layers of concretions forming a central protrustion beneath a rippled peak, the specimen supported on stand.
14³⁄₄in. (37.5cm.) high on stand
11³⁄₄ x 7³⁄₄ x 5in. (30 x 20 x 12.5cm.)

This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

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Lot Essay

Gogottes are mineral formations of exceptional natural beauty. Once thought to have been composed from chalk due to their pale colour and powdered texture, they are the natural result of calcium carbonate binding with extremely fine quartz grains. As a result, each delicately sculpted layer is a unique artwork from the mineral-rich waters of Fontainebleau in northern France, with the shapes evoking clouds and tangible representations of dreamlike imagery. Such visually arresting forms are the result of a mineralization process which takes approximately 30 million years.

These sandstone concretions boast an strong reputation spanning centuries, both in France and internationally. As early as the late seventeenth century, gogottes were prized for their unique aesthetic appeal by the highest echelons of French nobility. Louis XIV “the Sun King” of France (r. 1643-1715) was so enthralled by these natural formations that he ordered excavations in and around the region of Fontainebleau, as highly unusual ornaments for his palatial gardens. Indeed, gogottes still adorn L’Encelade, Les Trois Fontaines, and La Salle de Bal at Versailles, and have enchanted visitors for more than three centuries.

With their swirling formations and abstract holes and crevices, gogottes have inspired modern sculptors throughout the twentieth century. As dynamic snapshots of elemental metamorphosis, they were particularly well received by impressionist and surrealist sculptors. Similar forms are evident in the recumbent figures by Henry Moore, while the white marble compositions by Jean Arp (S’accroupissant, 1960-1962) and Louise Bourgeois (Cumul I, 1969) all evoke the arresting and unpredictable formations of gogottes.

In recent years, a large gogotte specimen was gifted to the Natural History Museum in London, to mark the 90th birthday of naturalist and broadcaster David Attenborough. Large intact sandstone concretions are uncommon, and rarer still are examples like the present Lot, with a fine, unblemished and milky-white surface.