MANOLO (Manuel Martínez Hugué) (1872-1945)
Woman with Raised Arms and Crouching Woman (Two Works)
Woman with Raised Arms
incised with number 'N 2' (on the base)
bronze with brown and green patina
9 ⅛ x 1 ⅝ x 1 ⅝ in. (23.2 x 4.1 x 4.1 cm.)
Conceived in 1931.

Crouching Woman
incised with inscription and number 'N 5 E. ROBCOONI CIRE PERDUE' (left side edge)
bronze with brown patina
3 ⅞ x 4 ¾ x 4 in. (9.8 x 12.1 x 10.2 cm.)
Conceived in 1910.

Arthur and Madeleine Chalette Lejwa, New York
Bequest from the above to the present owner, 1999

Woman with Raised Arms:
R. Apter-Gabriel, ed., The Arthur and Madeleine Chalette Lejwa Collection in the Israel Museum, Jerusalem, 2005, p. 247, no. 177 (illustrated).

Crouching Woman:
R. Apter-Gabriel, ed., The Arthur and Madeleine Chalette Lejwa Collection in the Israel Museum, Jerusalem, 2005, p. 246, no. 176 (illustrated).

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Manolo (Manuel MartÍnez Hugué) (1872-1945) was a Catalan Spanish sculptor in the noucentisme movement of the early 20th century. He was friends with Pablo Picasso while his style was much closer to that of the French sculptor, Aristide Maillol. He held a constant concern for rational simplification from the different styles that inspired him and remained within the bounds of figuration contrary to cubist artists.

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