‘The etchings of Goya’s Caprichos culminate a decade in which social issues such as women’s rights, prostitution, and the indolence of certain nobles were addressed in both the periodical press and the theater. They offer a critique of social crimes against the ideal order as conceived by enlightened reformers, in which social responsibility and reason governed behavior, and love governed the relations of couples. Love and Death, for example, reflects condemnation of the senseless loss of life that resulted from dueling, a tradition identified with an outmoded sense of honor.’
Stepanek, S.L., Tomlinson, J., Wilson-Bareau, J., Mena Marqués, M.B., et al, Goya: Order & Disorder, Museum of Fine Arts, Boston, 2014, p. 136.