詳情
FRANCISCO DE GOYA Y LUCIENTES (1746-1828)
Lads making ready (Muchachos al avío)
Plate 11 from: Los Caprichos
etching with burnished aquatint, drypoint and engraving, on laid paper, a good impression from the First Edition, published by the artist, Madrid, 1799, the deep, fine grain aquatint of the sky effectively burnished to represent encroaching night, framed
Plate: 812 x 6 in. (216 x 152 mm.)
Sheet: 1134 x 8 in. (298 x 203 mm.)
來源
Presumably Manuel Fernández Durán y Pando, Marqués de Perales del Río (1818-1886), Madrid.
Don Pedro Fernández-Durán (1846-1930), Madrid; with his stamp (Lugt 747b); presumably by descent from the above.
Don Tomas de la Maza y Saavedra (1896-1975); gift from the above.
With Herman Shickman Fine Arts, New York.
With Stuart Denenberg, Los Angeles.
Private American Collection; acquired from the above.
出版
Delteil 48; Harris 46
榮譽呈獻

拍品專文

‘Although the Prado text is rather vague as to what these men are up to, the Ayala text of 1799-1803 is very explicit: ‘Andalusian smugglers, near a road, soon to become highway robbers’. Their real occupation is confirmed by the ropes at lower left which apparently were to be used to tie up their victims. Sayre points outl that, in Goya's time, this etching could have been seen as a criticism of the government's inability to handle the Andalusian contrebandistas and the government's too high, royal excise taxes on tobacco. Because of these taxes and the resulting high price of tobacco, it became very worthwhile for the contrabandistas to smuggle tobacco from Gibraltar and Portugal.’

Johnson, R. S., Francisco Goya, Los Caprichos, R.S. Johnson Fine Art, Chicago, 1992, p. 48.

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The Sleep of Reason: Francisco Goya's Los Caprichos
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