Details
GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)
Portrait of a lady, traditionally identified as Miss Mildred Stewart Wright, three-quarter length, leaning on a balustrade, pointing to a sundial
oil on canvas
4914 x 3838 in. (125.2 x 97.5 cm.)
Provenance
(Possibly) by descent in the family of the sitter to,
Stewart Wright.
with Ehrich Galleries, New York, by 1920.
with O'Brien Galleries, Chicago, 1921.
with Ehrich Galleries, New York, by 1924, where acquired by,
Ogden Mills Reid (1882-1947), New York, and by descent to his wife,
Helen Miles Rogers Reid (1882-1970), and by whom sold,
Parke-Bernet Galleries, New York, 24 March 1951, lot 474, where acquired by,
Mrs. A.L. Maxwell.
Literature
A. Kidson, George Romney: A complete catalogue of his paintings, III, p. 758, no. 1685 (illustrated).
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Lot Essay

While this portrait was not included in Thomas Humphry Ward and William Roberts’s 1904 catalogue raisonné on George Romney, the 1951 Park-Bernet sale catalogue records that both authors had seen and endorsed the attribution in 1904 (loc. cit.). In his 2015 publication, Alex Kidson confirms the painting as undoubtedly by Romney and dates it to around 1770. He further notes that the sitter is supposedly Miss Mildred Stewart Wright, the daughter of Mr. A. Stewart Wright of Hambledon, Surrey, and that the portrait is believed to have descended through the family to Stewart Wright, the first documented owner in the early twentieth century. Regarding the sitter, however, Kidson observes that Mildred was a common name in the nineteenth and early twentieth centuries, but was unheard of in the eighteenth century; he therefore concludes that her identity may have been invented for marketing purposes (loc. cit.).

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