LATE 18TH/19TH CENTURY

The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

Each terracotta relief with overall surface wear, abrasions and tiny losses as to be expected with age. With scattered small and shallow chips to the edges of the terracotta. Some wear and rubbing to the high points. Please note that Christie's does not guarantee the condition of frames.
1. PORTRAIT OF BENJAMIN FRANKLIN BY JEAN-BAPTISTE NINI (1717-1768)
Inscribed ‘B.FRANKLIN AMERICAIN’ and ‘NINI F 1777/1777’, the reverse with paper labels inscribed ‘IV’ and ‘25’
4⁵⁄₈ in. diameter (the terracotta); 7⁵⁄₈ in. diameter (overall)
Provenance: Anonymous sale; Christie's, New York, 20 April 2007, lot 178.
Condition: The bust with typical wear and losses.

2. PORTRAIT OF GENERAL KELLERMAN BY WORKSHOP JOSEPH CHINARD (1756-1813)
19TH CENTURY
inscribed 'Chinard de l'institute a Paris et de l'atelier a Lyon' and bearing a paper label inscribed '...Kellerman 48 du Catalogue Comte de Penna Longa [sic] no. 5'
8¹⁄₄ in. diameter (the terracotta); 11¹⁄₂ in. diameter (overall)
François Christophe de Kellerman was born in Wolfsbuchweiler in Alsace in 1735 and died in Paris in 1820. His Artillery defense at the Moselle in 1792 demoralized the Prussians. He was created Marshal and Duc de Valmy by Napoleon and commanded the Rhine Reserve in 1809 and 1812. At the Restoration he attached himself to the Bourbons. His son, François Etienne (1770-1835) led the charge at the battle of Marengo (1800).
Provenance: Possibly Comte de Penha-Longha; Galerie Georges Petit, Paris, 2 December 1911, lot 48.
Anonymous sale; Christie's, New York, 20 April 2007, lot 191.
Condition: The bust with typical wear and losses. With scattered small shallow losses, including to the lower left edge and to the background. With overall flaked losses and 'tenting' to the surface. A later wash to the surface, most likely disguising restorations. The reverse with a later hook secured by additional plaster, possibly covering a repair.

3. PORTRAIT OF JOSEPH HYACINTHE FRANCOIS DE PAULE DE RIGAUD, COMTE DE VAUDREUIL, AFTER JEAN-BAPTISTE NINI (1717-1786)
PROBABLY 19TH CENTURY
inscribed 'HYACINTHE DE RIGAUD COMTE DE VAUDREUIL' and 'NINI F...', the reverse bearing paper labels inscribed '24'
4¹⁄₂ in. diameter (the terracotta); 7³⁄₄ in. diameter (overall)
Joseph-Hyacinthe-François de Paule de Rigaud, comte de Vaudreuil (1740-1817).
Provenance: Anonymous sale; Christie's, New York, 20 April 2007, lot 177.
Condition: The bust with typical wear and losses. A possible restoration to his chin and with some retouching to the surface.

4. PORTRAIT OF A GENTLEMAN, PROBABLY BY THE WORKSHOP OF JOSEPH CHINARD (1756-1813)
EARLY 19TH CENTURY
inscribed 'Chinard 1789', the reverse inscribed in red ink '1245' twice and bearing a label inscribed 'Dazenercourt No. 2'
8³⁄₄ in. diameter (the terracotta); 11¹⁄₈ in. diameter (overall)
Provenance: Anonymous sale; Christie's, New York, 20 April 2007, lot 192.
Condition: The bust with typical wear and losses. Overall with scattered hairlines to the background. A shallow loss near the right edge. With scattered retouching and restorations to the surface.

5. A PORTRAIT OF A YOUNG MAN, PROBABLY BY THE WORKSHOP OF JOSEPH CHINARD (1756-1813)
EARLY 19TH CENTURY
inscribed 'Chinard a Lyon', the reverse bearing paper labels inscribed 'Vente Gabriel Coqnac le 10 Dec 1952 no. 29 Collection Comte de Penha Longa le 1er Dec. 1911 Galerie Georges Petit No. 47 Exposition des Arts... Decoratifs No. 90', '12A' and '11'
8¹⁄₂ in. diameter (the terracotta); 11¹⁄₂ in. diameter (overall)
Provenance: Anonymous sale; Christie's, New York, 20 April 2007, lot 187.
Condition: The bust with typical wear and losses. With further very small shallow losses at his shoulder. A loss at the top edge issuing a hairline crack extending down and around the bust’s head toward the left center edge. The reverse with a repaired T-shaped crack.

6. PORTRAIT OF A GENTLEMAN, PROBABLY BY THE WORKSHOP OF JOSEPH CHINARD (1756-1813)
EARLY 19TH CENTURY
inscribed 'Chinard de l'institut a Lyon', the reverse with paper labels inscribed 'vente gabriel cognac No. 28 18 10 Dec. 1952 Collection comte de Penha L... Dec. 10 galerie Georges Petit No. 11...' and '6A' twice
8¹⁄₄ in. diameter (the terracotta); 11⁵⁄₈ in. diameter (overall)
Provenance: [possibly] Comte de Penha-Longa, sold Paris, Galerie Georges Petit, 1 December 1911, lot 11[?].
Gabriel Cognacq, sold Paris 10 December 1952, lot 28 12[?].
Anonymous sale; Christie's, New York, 20 April 2007, lot 189.
Literature: Possibly M. Germain Bapst, Catalogue des sculptures par Joseph Chinard de Lyon (1756-1813) formant la collection de M. le comte de Penha-Longa, Paris, 1911, nos. 3 or 11.
Condition: The bust with typical wear and losses. A very fine hairline crack to his ear lobe. Scattered flaked losses and 'tenting' to the terracotta, including to the lower right area and below his shoulder.