拍品 127
拍品 127
PROPERTY FROM THE ESTATE OF DR. BRUCE WILSON
A PAIR OF LOUIS XV GILTWOOD TABOURETS

BY JEAN AVISSE, CIRCA 1750

成交價 USD 8,190
估價
USD 7,000 - USD 10,000
估價並不反映實際成交價,亦不包括買家應付酬金、任何適用稅項或藝術家轉售權。詳情請瀏覽業務規定D部。
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A PAIR OF LOUIS XV GILTWOOD TABOURETS

BY JEAN AVISSE, CIRCA 1750

成交價 USD 8,190
登記
成交價 USD 8,190
登記
詳情
Shaped rectangular, the rails carved with rocaille, on cabriole legs carved with scrolls and foliage, upholstered in associated late 17th/early 18th-century needlepoint, stamped 'I AVISSE' to underside
20 in. (50.8 cm.), high 2134 in. (55.2 cm.) wide, 17 in. (43.2 cm.) deep
來源
Acquired from Didier Aaron & Cie., Paris in 2000.
Property from a Distinguished Collection; Christie's, New York, 7 October 2022, lot 133.
榮譽呈獻
Marisa DavilaSenior Sale Coordinator
佳士得專家或會聯絡閣下,以商討此拍品,又或於拍品狀況於拍賣前有所改變時知會閣下。瀏覽狀況報告

拍品專文

Jean Avisse, maître in 1745.

Jean Avisse was born in 1723 and related to the Gourdin family, a dynasty of renowned carpenters; he became master in 1745 and moved to rue de Cléry in 1747. He initially supplied a select group of tapestry makers and marchands-merciers including Blin, Bouguereau, Lacoursière, Jalouret, the Lrin family and Pousse, before beginning to work exclusively for notable private clients such as the Marquise de Chabannes, the Comtesse de Fontenay and the Chevalier de Lamotte.

Avisse's work is characterized by its ample forms and subtly curved legs, demonstrating an outstanding sense of design and proportion to produce some of the finest Rococo seat furniture of the eighteenth century. Because sculpture was carried out by seat sculptors—a separate guild from menuisiers—Jean Avisse surrounded himself with highly skilled woodcarvers such as Jean-François Baillard, Claude Vinache and Pierre Rousseau. Bill G. B. Pallot, in his monograph L'Art du siège au XVIIIe siège en France, Paris, 1987, p. 300, points out that, like Michel Avisse, Jean delegated the carving of his chairs to the talented Nicolas Heurtaut, who distinguished himself by producing "the most abundantly carved works [which] are always masterpieces of execution, with very detailed carving and unusual motifs.”

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