Details
With stylised ho-o bird (phoenix) handles; one side decorated with Hojo Tokimasa, a legendary hero visiting the temple in Enoshima, looking up at the rays emanating from Buddha with his attendants; the other side with a peacock and a hen in a garden with peonies, supported by gnarled tree stump with doves perched on the branches, the base with stylised dragon feet, the cover surmounted by an eagle with outstretched wings perched on a tree stump with doves in flight, signed 'Suzuki Masayoshi'
9134 in. (233 cm.) high; 3214 in. (82 cm.) wide
Provenance
with Grace Tsumugi Fine Art, from whom acquired by the present owner.
Exhibited
Yokohama, Yokohama Museum of Art, Dai-Kai-Ko - The Art of the Period of Opening of the Port of Yokohama from Tokugawa Era to Meiji, 2009, ill. p. 105.
London, Grace Tsumugi Fine Art, Japanese Works of Art, 4-13 November 2010, no. 9.
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
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Lot Essay

Bronze incense burners in similar style were exhibited in the world exhibitions in the early to mid Meiji period including Vienna (1873), Philadelphia (1876), Boston (1883) and Chicago (1893). A large incense burner by Mayaoshi's son Suzuki Chokichi was exhibited in the Paris exhibition in 1878, and is now in the Victoria and Albert Museum.

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