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Lot Essay
456 a This view of Earth was photographed through the 250mm telephoto lens.
“I did, of course, occasionally think of the possibility that the spacecraft explosion might maroon us in an enormous orbit about the Earth—a sort of perpetual monument to the space program,” said James Lovell. “But Jack Swigert, Fred Haise, and I never talked about that fate during our perilous flight. I guess we were too busy struggling for survival” (NASA SP-350, p. 262).
456 b “When we turned off the electrical systems, we lost our source of heat, and the Sun streaming in the windows didn’t help much. We were as cold as frogs in a frozen pool.” James Lovell (NASA SP-350, p. 262)
456 c The cockpit of the LEM was supposed to be a bright and active place, but on Apollo 13 it became a darkened still lifeboat, as the crew shut down nearly all of its power and took refuge in the hope of getting home after an explosion disabled their Command Module.
“In the cold gloom, one crew member stayed on watch at all times. Stay-awake pills helped during the final hours as the Earth came whistling at them like a freight train” (NASA SP-350, p.258).
“The trip was marked by discomfort beyond the lack of food and water. Sleep was almost impossible because of the cold.” James Lovell (NASA SP-350, p. 262)
456 d This view of Earth was taken through the 60mm lens from the window of the LM Aquarius.
By this time in the journey the CSM and its attendant LM had passed into the Earth’s gravitational sphere of influence and were beginning to accelerate.
From the mission transcript during the homeward journey:
096:21:16: Kerwin (Mission Control): And Jack, Houston. For your information, FIDO (Flight Dynamics Officer) tells me that we are in the Earth’s sphere of influence and we’re starting to accelerate. 096:21:29 Swigert: I thought it was about time we crossed. Thank you. 096:21:33 Kerwin: Roger. 096:21:39 Swigert: We’re on our way back home.
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Voyage to Another World: The Victor Martin-Malburet Photograph Collection
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The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Overall in very good condition with wear commensurate with age and use.
Please note that photographs in this sale are drawn from a variety of sources and include photographs used to prepare press articles. Condition will vary from lot to lot but some photographs may display signs of further handling including, but not limited to:
Nicks to edges; fading or yellowing; slight warping and creasing; light scruffs or scratches; small tears to margins; handwritten annotations in pencil or ink; captions affixed to verso; staining to verso; affixed labels or stickers; occasional hand retouching to press photographs, and cropped margins.
Most of these will be discernible from the catalogue images.
The mosaic panoramas are composed of multiple photographs attached together using adhesive. These may be trimmed to allow for correct registration of successive images within the panorama.
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