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Lot Essay
656 a The astronauts were collecting samples in a small crater down below Tracy’s Rock. Cernan’s backpack is visible behind the boulder.
165:31:57 Parker (Mission Control): Okay. We copy that. And we’re ready for you guys to leave this rock and press on and either get the rake soil and cores near that crater down below the rock just a shade (that is, a short distance), or else go on to some other different variety rocks in the area. 165:32:20 Schmitt: Well, I tell you, going down to that crater is not a problem. Getting back up is.
656 b A superb frame of the panoramic sequence taken by Cernan upslope from Tracy’s Rock. Schmitt carries the gnomon after sampling and collecting fragments of the split boulder.
“At the far right of the photograph, just above the rock, the astronauts’ LM Challenger can be seen as a distant speck sitting at the right edge of the lighter area” (Reynolds, p.208).
The East Massif (left) and Bear Mountain (right) form the skyline in the background.
165:33:38 Cernan: I just got to get a place I can get a pan from. Right here. Right in this little hole. (Pause) (Gesturing) Okay, now I left the gnomon down there. 165:33:50 Schmitt: Okay. I’ll have to go get it. (Pause) I think we’ll set up right here near the Rover.
656 c A frame of a telephoto panoramic sequence taken with the 500mm lens. The boulder “came from a point about 1.5 km up the slope of the North Massif at an elevation of about 430 m above the valley floor” (Constantine, p. 137).
By tracing the boulder track upslope from station 6, Schmitt thought this might be the source area. It was difficult for him to stand on the slope while shooting towards the top of the North Massif, resulting in this partially fogged photograph.
165:45:27 Schmitt: Okay. I got a set of what looks like the outcrop from which the boulder came. 165:46:10 Schmitt: I’m afraid they’re moved a little bit.
656 d 165:46:26 Schmitt: No, I can’t; that’s it. I got a few pictures looking up the boulder track and then off to the left a little bit; and one off to the right. And I think...I’m not sure how well they overlap; that’s just an awful hard shot.
656 e Schmitt holds the 500mm lens Hasselblad in his hand. He is leaning on the boulder for stability in order to take telephotographs. The Lunar Rover is in the foreground.
165:43:48 Schmitt: How am I going to see up there to shoot this thing? 165:43:52 Cernan: Well, why don’t you lean against the rock? Go over there and lean against it.
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Voyage to Another World: The Victor Martin-Malburet Photograph Collection
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The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Overall in very good condition with wear commensurate with age and use.
Please note that photographs in this sale are drawn from a variety of sources and include photographs used to prepare press articles. Condition will vary from lot to lot but some photographs may display signs of further handling including, but not limited to:
Nicks to edges; fading or yellowing; slight warping and creasing; light scruffs or scratches; small tears to margins; handwritten annotations in pencil or ink; captions affixed to verso; staining to verso; affixed labels or stickers; occasional hand retouching to press photographs, and cropped margins.
Most of these will be discernible from the catalogue images.
The mosaic panoramas are composed of multiple photographs attached together using adhesive. These may be trimmed to allow for correct registration of successive images within the panorama.
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