Details
Michael Collins

LM Eagle and Earthrise

Apollo 11, July 16-24, 1969, orbit 27, 127:52:05 GET

Large-format presentation vintage chromogenic print on fiber-based Kodak paper, 51 x 41cm (20 X16in), with “A Kodak Paper” watermarks on the verso [NASA AS11-44-6643]
51 x 41cm (20 X16in)
Exhibited
Paris, Galeries nationales du Grand Palais, La Lune: Du Voyage Réel aux Voyages Imaginaires, April-July 2019; p. 19, no. 5, illustrated.
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
Specified lots are being stored at Crozier Park Royal (details below) or will be removed from Christie’s, 8 King Street, London, SW1Y 6QT by 5.00pm on the day of the sale. Christie’s will inform you if the lot has been sent offsite. If the lot has been transferred to Crozier Park Royal, it will be available for collection from 12.00pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm
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Lot Essay

“Little by little, they grew closer, steady, as if on rails, and I thought ‘What a beautiful sight,’ one that had to be recorded. As I reached for my Hasselblad, suddenly the Earth popped up over the horizon, directly behind Eagle. I could not have staged it any better, but the alignment was not of my doing, just a happy coincidence. I suspect a lot of good photography is like that, some serendipitous happenstance beyond the control of the photographer. But at any rate, as I clicked away, I realized that for the first time, in one frame, appeared three billion earthlings, two explorers, and one moon. The photographer, of course, was discreetly out of view,” remembered Michael Collins (Jacobs, p. 65).

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