This lot is offered by Christie Manson & Woods Ltd
Christie Manson & Woods Ltd
8 King Street, St. James's, London, SW1Y 6QT, United Kingdom
Phone: +44 (0)20 7839 9060
Fax: +44 (0)20 7839 2869
Brought to you by
Lot Essay
609 a The farside lunar horizon photographed looking north west (with magazine 118/NN and the 250mm telephoto lens) from an altitude of about 120 km above the surface. The 33-km Crater Leonov (19.0°N 148.2°E) is visible on the horizon to the right of Center.
From the on-board voice recorder in the CM Casper rounding the farside of the Moon:
107:32:23 Mattingly: Apparently some of these things I’m looking at north of Papaleski there that they’re unnamed on our - our chart, but look like they’re just filled with so much stuff, big blobs of things that couldn’t all be slumps that just fell down from the side, but they’d almost have to run in to form the kind of blobs that they have. There’s one here that - It’s a little to the north. It’s a very strange looking thing. 107:33:30 Mattingly: Man, everywhere you look there’s craters and craters and hills. Hummocks up on the northern horizon. Let’s get one shot of that stuff. Okay. Well, I guess that I’m not coming up on Van Gent. And I guess it’s about time for me to shift to - to an f/8. 107:34:59 Mattingly: Man, there’s more of that stuff. It’s just all over here. What looks like areas have just flown down into these big ditches.
609 b These orbital moonscapes were photographed (with magazine 120/V and the 250mm telephoto lens) from an altitude of about 120 km: looking north in the Sea of Fertility (latitude / longitude: 0.3° S / 47.2° E) over the 11-km, 11-km and 7-km Craters Messier, Messier A (both cut off at bottom) and B (cut off at right); looking north over the border between the Sea of Fertility and the Sea of Tranquillity between Craters Secchi and Lubbock R (0.5° S / 42.3° E); looking north over the southern shore of the Sea of Tranquillity with the Crater Censorinus N in the left foreground (0.7° S / 36.9°E); looking south over the 28- km Crater Madler (cut off at bottom left) in the Sea of Nectar (15° S / 30.1° E).
“The Moon is exceptionally bright, almost painful to the eyes. After the first 2 days in lunar orbit, the Command Module pilot’s eyes were fatigued; however after the third day, they seemed to have adjusted enough to make visual observations comfortably,” observed the Apollo 16 crew (NASA SP-315, p. 5.4).
From the mission transcript when these photographs were taken:
124:05:43 Mattingly: I’ll tell you, these Sun angles really can play tricks on you.
609 c Lunar lands east north east of Mendeleev (latitude / longitude: 7.8° N / 148.9° E); floor of Mendeleev Crater near its eastern rim (6.5° N / 144.9° E), lunar lands north west of Mendeleev (10.7° N / 136.4° E); lunar lands west of Mendeleev (6.5° N / 131.4° E), photographed with magazine 120/V and the 250mm telephoto lens from about 120 km above the surface on revolution 27.
From the on-board voice recorder in the CM Casper rounding the farside of the Moon:
125:30:05 Mattingly: I’d swear the general impression I have of this back side is that it has a much harder surface on it. And I don’t really know why.
609 d The lunar horizon over the northwest rim of the 75-km Crater Kostinskiy (foreground, 14.7°N 118.8°E) photographed looking northwest with the 250 mm telephoto lens from an altitude of about 120km above the surface. The 81-km Crater Olcott is visible on the far horizon (cut off at right).
From the on-board voice recorder in the CM Casper rounding the farside of the Moon:
125:32:24 Mattingly: Okay, what have I got in the Flight Plan? AOS (Acquisition of Signal) here at 48. Okay. I can look north from - Let’s see - I need about an f/11 here. Oh, no. Last picture may have been out of focus a bit. Oh, look at that little beauty. Isn’t that pretty? 125:33:07 Mattingly: Okay, those are two pictures, numbers 30 and 31, taken north at about 125 degrees, so that’s - Well, what are those craters’ names? 125:33:33 Mattingly: And I can’t tell what they are. They’re off my map here.
Related Articles
Sorry, we are unable to display this content. Please check your connection.
More from
Voyage to Another World: The Victor Martin-Malburet Photograph Collection
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Overall in very good condition with wear commensurate with age and use.
Please note that photographs in this sale are drawn from a variety of sources and include photographs used to prepare press articles. Condition will vary from lot to lot but some photographs may display signs of further handling including, but not limited to:
Nicks to edges; fading or yellowing; slight warping and creasing; light scruffs or scratches; small tears to margins; handwritten annotations in pencil or ink; captions affixed to verso; staining to verso; affixed labels or stickers; occasional hand retouching to press photographs, and cropped margins.
Most of these will be discernible from the catalogue images.
The mosaic panoramas are composed of multiple photographs attached together using adhesive. These may be trimmed to allow for correct registration of successive images within the panorama.
The department would be delighted to be in touch with you for advice on how to display or store photos. Please contact us for further images or comments on condition.
Print Report
Cost calculator
Enter your bid amount for an estimated cost
Bid amount
Please enter numbers onlyAmount must be higher than the starting bidAmount must be higher than the current bid
Buyer's premium
Loss, damage and liability
Shipping
Estimated Excise Duty
Artist Resale Royalty
Estimated total cost exclusive of customs duties/charges and tariffs