Details
538 a
David Scott

Telephotograph of the edge of Hadley Canyon below Mount Hadley Delta, viewed from Station 9A

Apollo 15, July 26 - August 7, 1971, EVA 3, 165:35:02 GET

Unreleased photograph, vintage gelatin silver print on fiber-based paper, 20.3 x 25.4cm (8 x 10in), numbered “NASA AS15-89-12091” (NASA MSC) in black in top margin

538 b
David Scott

Telephotograph of a white-ejecta crater on the east rim of St. George Crater, viewed from station 9A

Apollo 15, July 26 - August 7, 1971, EVA 3, 165:35:29 GET

Unreleased photograph, vintage gelatin silver print on fiber-based paper, 20.3 x 25.4cm (8 x 10in), numbered “NASA AS15-89-12096” (NASA MSC) in black in top margin

538 c
James Irwin

David Scott with the reflection of the photographer in his visor, station 9A

Apollo 15, July 26 - August 7, 1971, EVA 3, 165:49:55 GET

Vintage gelatin silver print on fiber-based paper, 20.3 x 25.4cm (8 x 10in), numbered “NASA AS15-82-11146” (NASA MSC) in black in top margin

538 d
James Irwin

“Abstract” close-up of the lunar surface at station 9A

Apollo 15, July 26 - August 7, 1971, EVA 3, 165:52:17 GET

Unreleased photograph, vintage gelatin silver print on fiber-based paper, 20.3 x 25.4cm (8 x 10in), numbered “NASA AS15-82-11148” (NASA MSC) in black in top margin

538 e
Taken by the RCA TV camera mounted on the Lunar Rover

The astronauts collecting lunar fragments at station 9A

Apollo 15, July 26 - August 7, 1971, EVA 3, 165:57:20 GET

Vintage chromogenic print on fiber-based Kodak paper, 20.3 x 25.4cm (8 x 10in), with “RCA ASTRO ELECTRONICS DIV” stamp numbered “71-8-587C” and “A Kodak Paper” watermarks on the verso (NASA / RCA)

538 f
David Scott

“Abstract” pattern in the lunar surface at station 9A

Apollo 15, July 26 - August 7, 1971, EVA 3, 166:00:01 GET

Unreleased photograph, vintage gelatin silver print on fiber-based paper, each 20.3 x 25.4cm (8 x 10in), numbered “NASA AS15-82-11154” (NASA MSC) in black in top margin

538 g
David Scott

James Irwin installing a core tube at Station 9A

Apollo 15, July 26 - August 7, 1971, EVA 3, 166:02:03 and 166:03:48 GET

Two unreleased photographs, vintage gelatin silver prints on fiber-based paper, each 20.3 x 25.4cm (8 x 10in), numbered “NASA AS15-82-11156, AS15-82-11161” (NASA MSC) in black in top margin
20.3 x 25.4cm (8 x 10in)
Literature
538 c
Chaikin, Voices, p.81
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
Brought to you by

Lot Essay

538 a
Scott took this photograph of the lip (covered with boulders) of Hadley Canyon between the slope of Mount Hadley Delta to the left and the east (near) wall of Hadley Canyon to the right with the 500mm telephoto lens.

165:30:14 Irwin: You know, looking to the south, along the rim, along this side of the rille. Dave, did you comment on that horizontal bedding that’s probably, oh, at least 1 kilometer south us? And higher, higher elevation.
165:30:32 Scott: On the other side?
165:30:33 Irwin: No, this side. [...]
165:34:44 Irwin: See what I was talking about down there, Dave?
165:34:45 Scott: No. What do you see?
165:34:47 Irwin: I see horizontal bedding.
165:34:49 Scott: Oh, yeah! I see what you’re saying. Some...Somewhat...Looks like it might be dipping very slightly to the east.
165:34:57 Irwin: Yeah. Right. You can see the exposed upper surface of that layer.
165:35:02 Scott: Yep. You’re right. (Pause) Yeah, I agree. Got it. (the picture)

538 b
Scott took the photograph with the 500mm lens.

“Bombarded by meteorites for billions of years, the Moon’s surface is pockmarked by craters ranging in size from microscopic pits to giant basins hundreds of miles across” (Light, plate 128).

538 c
David Scott is prospecting for lunar samples in a field of boulders on the edge of Hadley Canyon. He is picking up the hammer, with checklists visible on both arms. The one on his left wrist covers the drilling tasks that have occupied him on all three EVAs. He has a sample bag in his left hand. Scott is reflected in his gold-plated visor.

538 d
A buried boulder is visible next to the gnomon. Footprints are in the foreground.

165:51:31 Scott: Oooh! Oooh! You can see a boulder exposed to the surface here, which has got layering within it. It’s been weathered away, apparently, and just the surface top is exposed; but the boulder must be, oh, about a meter long with 2- to 3-inch layers in it.
165:51:58 Scott: Would you get a picture of that where I stopped, Jim, just a quickie cross-Sun? See where that thing (a buried boulder) is exposed there?
165:52:03 Irwin: Oh, yeah.
165:52:04 Scott: See those little layers.
165:52:05 Irwin: Beautiful.
165:52:07 Scott: Okay. I think a cross-Sun stereo would be neat right there.
165:52:10 Irwin: Okay.
165:52:11 Scott: Here. As a matter of fact, I’ll drop the gnomon; that’ll tell them what it was.
165:52:17 Scott: Just to get a real quick picture.

538 e
The TV picture shows Irwin as he rakes up fragment samples and pours them into Scott’s collection bag with Hadley Canyon in the background.

“Station 9A was both productive and fun. Scott and Irwin had clear objectives for the site and, because of the value of the station, were given extra time so that they could work without undue haste. They didn’t have any appreciable slopes to content with, so the work wasn’t physically demanding. And, finally, the site offered enough interesting detail that they were able to put their geology training to very good use. It was a fitting climax to the mission and indeed, as they prepared to drive off, Scott neatly summed up his pleasure and his buoyant mood. ‘Man, am I going to miss one-sixth g. This is neat.’”(from the ALSJ mission summary).

538 f
Raking the soil near the Rover for a collection of small rocks, the astronauts created an abstract “drawing” on the lunar surface, captured on film by David Scott. Irwin’s shadow is at the upper left of the picture.

Jim Irwin was standing beside Hadley Canyon on the north rim of the 45-m “Rim Crater” in the
right foreground when he captured this wonderful panorama of station 10.

“Although samples were collected, this station was primarily a stop for photography. The site was about 200m north-northwest of Station 9A. This offset distance provided a base for obtaining stereoscopic 500-mm and panoramic photography” (https://www.lpi.usra.edu/lunar/missions/apollo/apollo_15/surface_opp/).

538 g
The first photograph shows the lunar surface before Irwin put the core tube in position.
He then pushed it in by hand before hammering it in the rest of the way (second photograph). Core samples of the lunar soil were an invaluable method for deciphering its history.

“It’s hard to whack on the moon. Because the hammer only weighs one sixth. It’s got the mass, but you can’t get the force behind it,” said David Scott (Chaikin, Voices, p.80).

166:01:52 Irwin: I’ll grab the core while you take the pictures. [...]
166:03:41 Irwin: I’ll push a little more.
166:03:42 Scott: Yeah. Got a half a tube.
166:03:46 Scott: Oooh! Good. Nice. You got three quarters.
166:03:46 Irwin: Yeah. It feels like it’s hung up on a rock.
166:03:48 Scott: Okay. I got the picture.
166:03:49 Scott: Go ahead and hammer. Rock, huh? Oh, it’s going in. You’re getting it.

Related Articles

Sorry, we are unable to display this content. Please check your connection.

More from
Voyage to Another World: The Victor Martin-Malburet Photograph Collection
Place your bid Condition report

A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

I confirm that I have read this Important Notice regarding Condition Reports and agree to its terms. View Condition Report