Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
Seaside was executed in 1934, the year Paul Nash arrived in the Victorian seaside town of Swanage. Nash lived on the Dorset seafront with his wife Margaret until 1936, discovering a surrealist resonance in the ‘extreme ugliness’ of the architecture set against sea views, and Victorian monuments that littered the shoreline. Much of the scene in the present work is occupied by a tent situated on a beach - its geometric form twisting in the breeze with a lingering strangeness, bringing to mind Giorgio de Chirico’s mysterious figures and obelisks. Characteristic of Nash’s watercolours during the 1930s, Seaside displays a soft, restrained palette. By 1937, Nash was seen by some as ‘...the most truly original watercolour artist that Britain has produced for a long while.’ (J. Godden quoted in The Observer, 16 May 1937).
We are very grateful to Andrew Lambirth for his assistance in preparing this catalogue entry.
Related Articles
Sorry, we are unable to display this content. Please check your connection.
More from
Dramas of Light and Land: The Martyn Gregory Collection of British Art
You have agreed to be bound by the Conditions of Sale and if your bid is successful, you are legally obliged to pay for the lot you have won. The purchase price for a successful bid will be the sum of your final bid plus a buyer’s premium, any applicable taxes and any artist resale royalty, exclusive of shipping-related expenses.
Condition report
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.
The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
Pencil and watercolour on paper. Examined out of the frame. The original sheet is laid down onto a non acidic supporting mount, which is hinged at the extreme upper edge. The work is presented in a window mount. On very close inspection there are some faint spots to the sheet and some minor surface dirt. Subject to the above the work appears to be in very good overall condition.