Details
PETER HUJAR (1934–1987)
Electric Cow, 1978
gelatin silver print
signed, titled, dated and numbered '4 / 15' in ink by the artist (verso)
image: 143⁄4 x 143⁄4 in. (37.5 x 37.5 cm.)
sheet: 193⁄4 x 157⁄8 in. (50.2 x 40.3 cm.)
This work was printed by Peter Hujar.
Provenance
Acquired directly from the artist by the late owner.
Brought to you by

Lot Essay

Another print of the image on offer here is hung in the exhibition Hujar:Contact, on view at The Morgan Library and Museum through October 25th. As is noted in the exhibition, Hujar would take walks around the farming area where his friend Roy Hyrkin lived (in Orange County, New York) with Hyrkin's 10-year-old son. It was at this location that Hujar took many of his animal portraits. According to friends, Hujar spoke to the animals in the same way that he spoke to people during their portrait sessions.


Steven Blain Hamilton was a poet, educator, curator, and dedicated collector who was deeply engaged with New York's artistic and literary communities. He fashioned his life after his idol, Wallace Stevens, while working at Metropolitan Life. Hamilton served on the Poetry Project Board, assisted Allen Ginsberg, taught at The New School and Naropa University, and curated, wrote, and consulted for a broad range of institutions, including MoMA, the Poetry Program at P.S.1, and The Franklin Library.

From his collection, we are offering three photographs by Peter Hujar, one of the most celebrated chroniclers of New York's downtown cultural scene. Hujar's portrait of Edwin Denby, the influential poet, dance critic, and cultural figure whose writings helped shape the appreciation of modern dance in postwar America, as well as Butch and Buster and Electric Cow, two compelling examples of Hujar's sensitive and distinctive animal portraits

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