The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.

In addition to the catalogue description, each the full sheet or with full margins, in very good condition

JOHN BALDESSARI, Double Play: Feelings
screenprint in colors, on Lanaquarelle Satine paper, initialed and dated in pencil
Sheet: 13⁷⁄₈ x 13³⁄₈ in. (352 x 340 mm.)

JONATHAN BOROFSKY, It's About Control
screenprint in colors with embossing, on Somerset Velvet paper, signed in pencil
Sheet: 14 x 14 in. (356 x 356 mm.)

CHRIS BURDEN, Married
screenprint in colors, on Lanaquarelle Satine paper, signed and dated in pencil
Sheet: 11 x 14 in. (279 x 356 mm.)

FRANK GEHRY, In Town
lithograph, on Rives BFK paper, initialed and dated in pencil
two very pale areas of surface soiling toward the lower sheet edge
Sheet: 11 x 14 in. (279 x 356 mm.)

ROBERT GOBER, Obama
screenprint in colors, on Lanaquarelle Satine paper, signed and dated in pencil
Sheet: 14 x 11⁷⁄₈ in. (356 x 302 mm.)

ANN HAMILTON, blue victory
inkjet print in colors with fabric collage, on Gampi paper and Hahnemühle German Etching paper, signed and dated in pencil
Sheet: 14 x 14 in. (356 x 356 mm.)

DAVID HAMMONS, Obama Shrine - 16th - Obama, Japan
screenprint in colors, on three sheets of Mylar and one sheet of Rives BFK paper, signed and dated in pencil on the Rives BFK paper
Each Image: 6⁵⁄₈ x 8⁷⁄₈ in. (168 x 225 mm/)
Each Sheet: 8³⁄₄ x 11 in. (222 x 279 mm.)

JASPER JOHNS, Map
lithograph, on Rives BFK paper, signed and dated in pencil
Image: 7⁷⁄₈ x 6 in. (200 x 152 mm.)
Sheet: 14 x 11¹⁄₂ in. (356 x 292 mm.)

ELLSWORTH KELLY, Untitled (for Obama)
lithograph, on Rives BFK paper, signed in pencil
Sheet: 14 x 10 in. (356 x 254 mm.)

BRICE MARDEN, Obama Letter
photogravure and etching, on Hahnemühle Copperplate paper, signed and dated in pencil
Image: 7³⁄₄ x 9⁷⁄₈ in. (197 x 251 mm.)
Sheet: 14 x 14 in. (356 x 356 mm.)

JULIE MEHRETU, Haka
etching with chine-collé on Somerset Satin paper, signed and dated in pencil
Image: 10 x 9³⁄₈ in. (254 x 238 mm.)
Sheet: 12¹⁄₄ x 14 in. (311 x 356 mm.)

BRUCE NAUMAN, O
etching, on Somerset Satin paper, signed and dated in pencil
Image: 8 x 10 in. (203 x 254 mm.)
Sheet: 14 x 14 in. (356 x 356 mm.)

CLAES OLDENBURG, Musical Hearts
screenprint, on Rives BFK paper, signed and dated in pencil
Sheet: 14 x 11¹⁄₈ in. (356 x 283 mm.)

JAMES ROSENQUIST, The Meteor Hits Picasso's Bed
photogravure, on Somerset Velvet paper, 1996-2012, signed, titled and dated in pencil
Sheet: 14 x 11¹⁄₂ in. (356 x 292 mm.)

SUSAN ROTHENBERG, Moths and Peonies
photogravure, on Hahnemühle Copperplate paper, signed and dated in pencil
Sheet: 9¹⁄₂ x 13¹⁄₄ in. (241 x 337 mm.)

ED RUSCHA, We the People
lithograph, on Arches Cover paper, signed and dated in pencil
a very soft horizontal crease extending the width of the lower sheet
Sheet: 14 x 14 in. (356 x 356 mm.)

RICHARD SERRA, NOROMNEY
etching, on Hahnemühle Copperplate paper, signed and dated in pencil on the reverse
Sheet: 13³⁄₄ x 13³⁄₄ in. (349 x 349 mm.)

JOEL SHAPIRO, Go (For Obama)
screenprint in colors, on Lanaquarelle Satine paper, signed and dated in pencil
a very pale area of surface soiling at the lower right sheet edge
Sheet: 12³⁄₄ x 14 in. (324 x 356 mm.)

RICHARD TUTTLE, Calm Down
etching with drypoint and acrylic spray, on Somerset Satin paper, initialed, titled and dated in pencil
Image: 5 x 4 in. (127 x 102 mm.)
Sheet: 5³⁄₈ x 4¹⁄₂ in. (137 x 114 mm.)

Please note this lot consists of nineteen loose prints in the original portfolio.