Details
MAX BECKMANN (1884-1950)
Fjodor M. Dostojewski: Aus einem Totenhaus - Das Bad der Sträflinge ('Notes from the House of the Dead - The Convict's Bath')
the complete booklet with seven lithographs
1912
on thin simili-Japan paper
five en-texte, two hors-texte, with title and text on eight pages
very rare, from the edition of unknown size
published by Paul Cassirer, Berlin, in the monthly periodical Kunst und Künstler, vol. XI, no. VI, March 1913, pp. 289-296
within the origina pale green thin card binding with dark green paper spine (as issued)
some pages, especially the last, with insect damage
other minor defects
Images 21,5 x 17,5 cm. (812 x 678 in.)
Sheets 31,5 x 24,4 cm. (1212 x 958 in.)
Literature
J. Hofmaier, Max Beckmann - Catalogue raisoneé of his Prints, Bern, 1990, vol. I, nos. 40-46, pp. 99-113 (other impressions ill.).
G. Söhn, Handbuch der Original-Graphik in deutschen Zeitschriften, Mappenwerken, Kunstbüchern und Katalogen 1890-1933, Düsseldorf, 1994, vol. VI, no. 64506, pp. 79-80 (other impressions ill.).
Exhibited
Hamburg, Hamburger Kunsthalle, Max Beckmann: Zeichnungen und Druckgraphik aus der Sammlung Hegewisch, November 2005 - January 2007, nos. 2.1-2.7, pp. 155-157.
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Lot Essay

Beckmann was a great admirer and avid reader of Dostojevski, and created two printed portraits of the Russian author.
The present little booklet, which was produced cheaply and of which few copies appear to have survived, illustrates one chapter of his novel Notes from the House of the Dead, which describes how the prisoners in a labour camp are taken to a public bathhouse. The narrative, published in instalments between 1860-62, is based on Dostojevski's own experiences of the four years he spent in a prison camp in Siberia, convicted of illegal political activity - a poignant subject then as it is today, not just in Russia.

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