詳情
CIRCLE OF FRANCISCO JOSÉ DE GOYA Y LUCIENTES (Fuendetodos 1746-1828 Bordeaux)
Portrait of Thérésa Tallien, née Cabarrus (1773-1835), later Princess of Chimay, bust-length, in pleated veil collar
oil on canvas, unframed
1814 x 1478 in. (46.3 x 37.6 cm.)
來源
with Sedelmeyer Gallery, Paris, as Goya, where acquired on 15 September 1906 by,
Archer Milton Huntington (1870-1955), New York, and by whom gifted to the Hispanic Society of America.
出版
Hispanic Society of America, List of Paintings, New York, 1925, no. A214, as School of Goya.
展覽
Paris, Sedelmeyer Gallery, The 11th Series of 100 Paintings by Old Masters, 1911, no. 55, as Francisco Goya y Lucientes.
榮譽呈獻

拍品專文

Thérésa Tallien, born Juana María Ignacia Teresa de Cabarrús y Galabert, was a Spanish-born French noblewoman who became an influential figure during the French Revolution. After divorcing her first husband, Jean Jacques Devin Fontenay, Marquis de Fontenay in 1791, she became romantically involved with Jean Lambert Tallien. During the Reign of Terror, the couple were denounced by Maximilien Robespierre for their efforts to protect many targeted individuals from the guillotine. In 1794, Thérésa herself was imprisoned, leading to Tallien’s opposition to Robespierre, and resulting in the latter’s arrest and execution. Thérésa's role in Robespierre's demise earned her the name Notre-Dame de Thermidor (Our Lady of Thermidor).

Following the Terror, Thérésa became a prominent figure in Parisian society, known for her influential salons. She also became a fashion icon, adopting rising neoclassical styles. In 1802, she divorced Tallien and became involved with several prominent men, including Paul Barras. Finally, Thérésa married François-Joseph-Philippe de Riquet, Comte de Caraman and Prince of Chimay in 1805. She moved away from Paris, and from public life, to the Château de Chimay in present-day Belgium, where she spent her remaining years.

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