Lot 66
Lot 66
Enduring Threads: The Collection of Jacques and Emy Cohenca
ALLAN MCCOLLUM (B. 1944)

Collection of Five Perfect Vehicles

Price Realised USD 20,160
Estimate
USD 15,000 - USD 20,000
Loading details
ALLAN MCCOLLUM (B. 1944)

Collection of Five Perfect Vehicles

Price Realised USD 20,160
Price Realised USD 20,160
Details
ALLAN MCCOLLUM (B. 1944)
Collection of Five Perfect Vehicles
signed and dated 'Allan McCollum 1988' (on the underside of each)
enamel on Hydrocal, in five parts
each: 1958 x 858 x 778 in. (49.8 x 21.9 x 20 cm.)
approx. overall: 1958 x 4318 x 778 in. (49.8 x 109.6 x 20 cm.)
Executed in 1987.
Provenance
John Weber Gallery, New York
Acquired from the above by the late owner, 1987
Exhibited
Malmö, Rooseum Center for Contemporary Art, Allan McCollum, September-October 1990, pp. 80-87 (illustrated).
Brought to you by
Michael BaptistVice President, Specialist, Co-Head of Day Sale
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.

Lot Essay

Growing up in a family whose history spanned several continents, Emy Cohenca was exposed to a rich variety of artistic and cultural influences. Her upbringing sparked a passion for art that would last a lifetime, and as that interest grew, Emy developed a sophisticated eye and an ability to identify artists who would go on to change the course of art history, often before they had achieved critical acclaim. Together with her husband, Jacques, the couple built a collection that brings together paintings, sculpture, and works on paper that span time, medium, and geography.

Distinguished by masterworks of European Expressionism and American Abstraction, the Collection also includes examples of Chinese painting, and Indian, Himalayan, South East Asian art. As such, it stands as a testament to the natural inquisitiveness and perceptive nature of a unique couple, and their ability to draw together seemingly dissonant objects in a coherent and engaging way. Their openness to new ideas and looking beyond the status quo also allowed them to acquire works by pioneering female artists such as Louise Bourgeois, Joan Mitchell and Lee Krasner at a time when they were often overlooked by her collecting contemporaries. With a collection that spans centuries and continents, it is testament to the taste of both Emy and Jacques Cohenca, and one which leaves a legacy of learning and love.

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