Lot 521
Lot 521
Please note this lot will be moved to Christie’s...
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THE PROPERTY OF A DISTINGUISHED FAMILY COLLECTION, NEW YORK
A PAIR OF LOUIS XVI GILTWOOD BERGERES

BY HENRI JACOB, CIRCA 1780

Price Realised USD 10,080
Estimate
USD 10,000 - USD 15,000
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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A PAIR OF LOUIS XVI GILTWOOD BERGERES

BY HENRI JACOB, CIRCA 1780

Price Realised USD 10,080
Register
Price Realised USD 10,080
Register
Details
Each with entrelac carved crest rail and scrolled arms, padded back and arms with loose seat cushion, upholstered in cream silk with chinoiserie figures, round stop-fluted legs headed by rosettes, stamped H. JACOB
38 in. (96.5 cm.) high, 28 in. (71.2 cm.) wide, 2034 in. (52.7 cm.) deep
Provenance
Anonymous sale; Christie's, New York, 26 April 1994, lot 302.
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
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Sale Enquires Collections: New YorkCollections: New York
A Christie's specialist may contact you to discuss this lot or to notify you if the condition changes prior to the sale.View condition report

Lot Essay

Henri Jacob, maître in 1779.

Henri Jacob (1753-1824) trained with his cousin Georges Jacob, the celebrated menuisier, for six years before receiving his maîtrise in 1779. He became an accomplished and prolific menuisier-ébéniste, counting amongst his most illustrious clients the future Paul I of Russia and his wife Maria Feodorovna. As the future tsar and his spouse travelled to France as the comte and comtesse du Nord in 1782, they ordered over two hundred chairs and other pieces of furniture from Jacob for Pavlovsk, their new palace near St. Petersburg, see D. Ledoux-Lebard, ‘Henri Jacob, un menuisier-ébéniste original’, L’Estampille-Objet d’Art, March 1995, pp. 46-57. Like his cousin Georges, Henri was able to produce both seat and case furniture towards the end of his career, after the abolition of the guilds. His oeuvre is often compared with that of his celebrated cousin, given the undeniable similarities and rapprochements, the impeccable quality of his work and the fact that both worked for the Crown. In fact, Henri took advantage of his family connections and his cousin's fame and employed several elements characteristic of Georges' oeuvre in his production. Henri is most well-known for his creations from the Directoire and Consulat periods, when his work is characterized by strict à l'antique forms and the use of luxurious mahogany. With their classic Louis XVI shape and carved decorations, these fauteuils are less typical of Henri Jacob's oeuvre, and the comparatively rare number of Louis XVI sieges he produced makes the present pair all the more desirable.

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Condition report

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View Condition Report