拍品的狀況可能存在極大差異，而由於其性質使然，拍品難以處於完美無瑕的狀態。拍品均以拍賣時的狀況出售。

These unlined canvases remain structurally stable, though with visible undulations. There is some visible pain loss in the lower right corner of the portrait of the gentleman, associated with frame wear, as well as in the upper quadrant, with a horizontal damage evident due to the canvas having historically rested on its stretcher. Both paintings appear to have had restoration along the edges of the canvases due to frame wear. Ultraviolet examination reveals the aforementioned as well as extensive infilling in the craquelure, as well as to a tear in the lower right of the woman’s portrait, with some further scattered restoration. In the portrait of the gentleman, ultraviolet light reveals restoration to the face as well as to the craquelure, and extensive restoration in the background and throughout. There is evidence of natural ageing in the increased transparency of some of the thinnest dark glazes in of both paintings.