Lot 205
Lot 205
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WORKS OF ART FROM THE ANTHONY AND MARIETTA COLERIDGE COLLECTION (LOTS 177-257)
TWO GEORGE III GOLD-MOUNTED GLASS SCENT BOTTLES

CIRCA 1765, ONE POSSIBLY DECORATED IN THE WORKSHOP OF JAMES GILES (1718-1780)

Price Realised GBP 3,276
Estimate
GBP 1,500 - GBP 2,500
Estimates do not reflect the final hammer price and do not include buyer's premium, any applicable taxes or artist's resale right. Please see the Conditions of Sale for full details.
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TWO GEORGE III GOLD-MOUNTED GLASS SCENT BOTTLES

CIRCA 1765, ONE POSSIBLY DECORATED IN THE WORKSHOP OF JAMES GILES (1718-1780)

Price Realised GBP 3,276
Register
Price Realised GBP 3,276
Register
Details
Each oblong blue cut-glass flask with facetted glass stopper, one painted in polychrome enamel and gilt with scenes of a bird in tree on one side, and bouquet tied with a pink ribbon on the other, the gold cap fluted and enamelled in white around the rim with inscription 'MARQUE DE MON ESTIME', the other overlaid with gold cagework chased with fluted scrolls, foliage and architectural elements, the base similarly chased, the gold cap enamelled in white with inscription 'L'AMOUR NOUS UNIS'
3.2 in. (8 cm.) high
Special notice
Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.
Brought to you by
Benedict WinterAssociate Director, Specialist
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Lot Essay

James Giles (1718-80) was the son of a Huguenot refugee from Nîmes, and the owner of one of the most important and prolific ceramic and glass decorating workshops of 18th-century London. Based for most of his career on fashionable Cockspur Street, what is now the northwest corner of Trafalgar Square, he was renowned for producing exquisitely decorated luxury objects to satisfy the demands of the most discerning consumers, from the author and diarist Horace Walpole and the artist George Stubbs to the playwright Richard Sheridan and the Dukes of Northumberland and Marlborough.

Whilst little is known of the artists who worked for Giles decorating such wares, the present scent bottle embodies all the stylistic traits most readily associated with his work, from the gentle pastel shades and sprigs of flowers to the subtle combination of enamel and gilding. It is highly likely that the present facetted blue glass bottle was supplied to Giles by William Parker from his warehouse on Fleet street from whom Giles is know to have brought large quantities of such wares throughout the 1760s and 1770s.
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Condition report

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