The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
The work is offered without a frame. The panel is straight and bevelled on all four edges. There are some paint losses and damages to all four corners. The varnish is dirty and yellowed. There are some minor frame abrasions visible along the extreme edges. A fine pattern of vertical craquelure visible locally, e.g. in the upper right corner. The original impasto and pigments appear to be nicely preserved. Examination under ultraviolet light shows no indication of inpainting.
For further enquiries please contact Sophie Bremers of the 19th Century Art Department at sbremers@christies.com.
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