It has been generally agreed that this print by an anonymous 16th century engraver is a copy in reverse of the engraving by Nicolas Beatrizet. Bartsch describes the copy as very well engraved in the manner of Beatrizet, bearing the address A.L.F. (Antonio Lafreri formis) for the first and only state. The present impression appears to be an unrecorded first state, before the address of the publisher and the name of the inventor. Another impression of the same unrecorded state is at the Art Institute of Chicago (inv. no. 1929.278), catalogued as by Beatrizet.
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In addition to the catalogue descritpion: - trimmed to oe just inside the platemark. - a strong vertical printer's crease, probably slightly flattened, from the lower edge up to the head of the woman, partially broken into a short nick below. - some tiny and skilful rpairs at the lower left corner. - probably, a long very skifull reepaired tear at left sheet edge (approx. 240 mm.). - a couple of of printer's creases at the left sheet edg, probably split into short tears and very skilfully repaired. - a few short tears at the upper left sheet edge, one repaired. Some skinning at the upper left. - the usual horizontal flattened fold, some creases in places. - some skinning verso, mostly at the lower part of the sheet, with associated thin spots. - some pale foxmarks in places, mostly on the people of the right foreground. - remains of old adhesive hinges at the left sheet edge verso, hinged at the upper sheet edge verso. - other minor defects. Otherwise as described.
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Lot 39Sale 20187
Christ and the Woman of SamariaANONYMOUS 16TH CENTURY AFTER MICHELANGELO BUONARROTI (1475-1564)Estimate: GBP 1,500 - 2,500
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