The condition of lots can vary widely and the nature of the lots sold means that they are unlikely to be in a perfect condition. Lots are sold in the condition they are in at the time of sale.
This report has been prepared by an external restorer.
Structural Condition
The canvas is lined and is securely attached to a keyed wooden stretcher with one central horizontal cross member. This is ensuring a stable structural support.
Paint Surface
The paint surface has an even varnish layer. The paint surface displays scattered networks of fine lines of craquelure, including within the sitter's face, within the pale background below the upper edge and within the yellow paint of the figure's dress above the left part of the lower edge. These are all entirely stable and are not visually distracting. Inspection under ultraviolet light shows a diagonal line of retouching extending from the green background in the upper left quadrant, through the sitter's torso and left arm and down to the background in the lower right quadrant. There is a vertical line of retouching which connects with the diagonal line of retouching mentioned above. This runs from up from the sitter's hands towards the centre of the right edge. These retouchings correspond to an entirely stable, historic repaired tear. There is also a small retouching within the green background in the upper left quadrant, a few tiny spots of inpainting within the sitter's face and other minor retouchings. There are what appear to be earlier retouchings within the lower part of the sitter's dress and on left part of the extreme upper edge. These are not easily identifiable in ultraviolet light.
Summary
The painting would therefore appear to be in good and stable condition having undergone restoration work in the past. The retouching corresponding to the repaired tear should be noted.
For further information on this lot please contact Aleksandra Babenko on +44 (0) 20 7389 2489 or at ababenko@christies.com.
Print Report